I read this series before and I’m revisiting it now. I’m realizing that I’ve got different feelings about it this time than I did the first time, which happens. I’m looking at the formatting of the book for one1 and paying more attention to the structure and how the series itself is constructed. Which is interesting, loose, and a little on the hybrid pantser/plot side of things.
So the book itself is about Gansey. The back of it claims it’s about Blue, but she is honestly treated as an observer to the series, watching as three out of the four boys go about their lives with an easy out if she ever doesn’t want to deal with it anymore. She has the most interesting setting around her, with her psychic mother and her being a battery for the supernatural rather than having any psychic abilities herself, and she wants to have an experience that will make her feel more like the rest of her family.
Gansey is the centre of it all, but also the least interesting part in the cast of everyone else. He is a rich kid looking for Glendower, an long dead Welsh king that has for some reason been buried somewhere near Henrietta, the town this all takes place in. He and his friends go to Algionby Academy, and the book is less about this story than it is about the individual characters.
Which works well for me, because some of the individual characters are far more interesting than this idea of wake up dead king and he’ll grant you a wish. Ronan is a main focus, though he is never a perspective character, for instance. Whether this is to shroud him in mystery or because he just doesn’t have much to do besides set up how others see him in this book, I’m not sure, but just using this book to establish the resident badass with a cute pet raven and tragic backstory is fine by me.
And then there’s Adam, who really needs a bit of a trigger warning on him. He’s also got a tragic backstory, but you actually get to see it unfold in this book. He’s a poor kid on a scholarship and working many jobs to cover the rest of the cost and comes from an abusive household. You get to see how that unfolds over the course of the book and probably should come with a trigger warning for anyone who may find the scenario familiar.
The main plot running through it turns out to be about the sidekick character, Noah, who is just… there. I love him, but narratively he’s serving as motivation to move the plot forward, and structurally the plot only serves to make the characters interact with one another. It’s not ultimately treated with as much importance as the individual characters and what they are doing.
Which is to say, I still really like the book, but I’m having a lot more fun this time around taking apart the story on a structural level and examining the pieces of it. Bring to decide if it was really meant to be four books for the series, or if it was made that way because of editorial demand. This book is, in large part, just set up for the rest of the series, with more time spent establishing where the characters came from and where they stand as opposed to telling the core story about the kids trying to find the old king. And I’m wondering if that’s because she wanted to make the series as long as she could manage, or if it was actually because that’s how long the story she wanted to tell was.
- And I don’t like it. For the record. [↩]