• Today in getting random library books because Libby put it in front of me and I went, “Well, it doesn’t look like there’s a romance in it so…” a science fiction book that I think was up for a Hugo along with This is How You Lose the Time War. So hopeful!

    The story follows Sophie, a young student who gets arrested, dumped outside of town, and left for dead for a minor indiscretion. She meets a crocodile, the local species on January who are definitely not crocodiles, and returns to the city and meets up with her old roommate and unrequited love interest, Bianca, who is pursuing activism and is a little too open to violence to get her way without fully understanding what the consequences of her actions might be so long as she gets what she wants.

    The other half of the story follows Mouth, a woman who is essentially a nomad on January traveling between places after her people were all killed by a natural disaster, her being the only one left alive and wanting that connection with who her people were while coming to terms with the idea that who they were in her memory is different than who they actually were.

    This story feels much more… think-y than what I normally read. A lot of questions are raised in the context of these characters and none of the answers feel like they are correct. Sophie’s idealism is repeatedly punished or used to manipulate her, Mouth never seems to really bring herself into the present or find peace with the past, and Bianca’s activism ultimately proves to be shallow and shortsighted. I can see what the book was likely trying to say, but I don’t know that I ultimately agree with it.

    I think I’m starting to understand what kind of books I want to read right now. I go through weird reading moods and right now I think I’m in one where I’m being drawn to ones where there’s larger societal conflicts being looked at through the perspectives of the individuals dealing with the results of them. At least, that’s the case with scifi and spec fic. This book absolutely fulfills that, and even though I really didn’t care for one of the two narrators, I really did enjoy the story and it left my brain feeling good.

    Overall, I’d say check it out. It’s a really interesting science fiction novel with themes that feel like they resonate. And also the crocodiles.


  • This is another one of those books that I put on hold so long ago that I’d completely forgotten what it was about. I think I saw people talking about it and liking it, which I probably should have taken as more of a sign of what was to come than I did.

    The story follows January, a young biracial girl who has been raised by Mr. Locke while her father goes out to gather strange artifacts for him. Her father goes missing and Locke insists that he’s dead, which kicks January into discovering that she can write things into existence and open doors to other worlds, worlds that Locke and his compatriots are very interested in.

    Like the main characters, the story wanders. Even though it feels very much like a standard three act structure, there’s something about it that lost me so I didn’t really feel the tension building to the climax in the way it was supposed to. It felt more like events were happening that didn’t feel properly connected to one another rather than building on each one. The stakes were raised, but it didn’t feel like they were raised as a result of what had happened before.

    There’s also the two Romeo and Juliet romances ((Love interests meet, like each other right away, kept apart by external forces, and then one or both die by the end)) ((Spoiler, they live but are essentially dead to one another for a good amount of time until the ending)) that happen in the story, first as the story within the story and the one that January experiences that doesn’t really build to anything, and you know that had me skimming. On top of that, I’m now learning that I have to skim the stuff where authors try to explain what being biracial is like because nah. ((Unless the author is actually biracial, something about it just feels so incorrect))

    I was reading it as a bedtime story, though, and it did a good job of letting me unwind at the end of the day. It’s a very calm story, and there were some very interesting ideas in it. But ultimately, it wasn’t for me. Maybe it will be for you.


  • It’s time to let you know that I have a book coming out! Yes, another one!

    This is the first in a trilogy and will be a bit of a departure from what I’ve done before. It focuses on the story of three sisters in their 20s and their journey to figure out who they are. Okay, maybe not that different.

    Fredrika will be out on June 21st, 2021.

    It would be a lot easier to break into the assassination game if her targets stayed dead.

    If she wanted her own money, Fredrika knew she would have to start getting her own jobs. With her peculiar accent, it was hard to get people to take her seriously, but her first solo job falls into her lap.

    Before Ferdrika can collect her pay, her estranged superhero sister, Gigi, comes back into her life desperate for help. She’s been seeing ghosts and, when she brings Fredrika’s first target back to life, Fredrika’s not sure if helping Gigi is worth the trouble she brings with her.

    I’m also running a preorder campaign! Yes, if you preorder you’ll get some free stuff! It’s open internationally, so do check it out!


  • I’m doing good this year! I’m picking up sequels! I’m probably not picking up the last one in the series, but I am starting to read the rest of the series!

    The book is a sequel, but it feels very disconnected from the first one. It’s many months later and now there’s a tournament arc. After Kell saved Rhy at the end of the last book and now they feel one another’s pain, they are both feeling trapped by the arrangement and have decided in order to resolve this, Kell is going to fight in the tournament. Because he needs to get out some aggression and Rhy feels guilty that he’s taken away his brother’s freedom.

    And besides the tournament arc, there really isn’t much of a plot. What we get instead is stuff happening in White London that has no connection until it crosses over at the end, and a whole lot of pining and relationship drama. Kell is less interesting, so there are now no characters I care enough about to see their relationship drama.

    But I did like seeing Rhy in pain. So there was that.

    Once again, Lila as the other lead doesn’t really play much of a role in the overall narrative. She joins the tournament, helping to ensure that we know exactly who is going to move on to the next round with each match, ((The characters we know, they win every round unless they are intentionally losing)) but besides being a bit more fun to follow, she doesn’t really do anything to move the story along in a meaningful way.

    Which I wouldn’t mind if Rhy and Kell weren’t both so damn miserable the entire book.

    Anyway, I’m probably not getting the rest. But there’s a lot more relationship stuff in this one, so if that’s your jam you’ll probably like it.


  • Someone recommended A Darker Shade of Magic to me so here I am having read it! I don’t remember who suggested it, but thank you, it was a great read!

    The book follows Kell, an Antari from Red London and one of the few people who can travel between worlds. In his travels between worlds, you learn about Grey London, which has almost no magic, Red London where magic is a happy thing, and White Lonon where magic is power and things are bad. He is handed a relic from Black London, one that has been essentially lost because it was too dangerous, and he needs to cast it back into Black London before it can do any harm. However, the power it grants could tip the balance in power and give White London the chance to be even more dangerous.

    And a whole lot more stuff. But that’s the main bit.

    I really enjoyed the book! Kell was a lot of fun, especially since he was able to move from the darker to the lighter moods in a way that I haven’t seen a lot in other stories. The worlds are interesting and the culture between each of them makes them unique and very easy to make the shifts from one universe to the other really clear. I do love a world hopping story, and there’s a lot of world details that make things really entertaining.

    Also Lila. I know she was a main part of the story and she was a lot of fun, but you can explain the main plot of the book without her. She’s fantastic, though, and I do enjoy how casually bloodthirsty she is at all times.

    Overall, I really liked it and would highly recommend it. At least, it was something that struck the right balance of what I was looking for at the moment.

    Spoiler

    Also, before I read the rest of the series, I’m about 90% sure that Holland is coming back because he was sent “Home” which was Black London. He, Kell, and Lila will all be from there, probably related, and in the end it’s going to be not so bad or something.

    [collapse]

  • I got the sequel already! That was really fast. Solutions and Other Problems continues the trend of being a series of anecdotal essays looking into the life of one woman as she tries to understand life and several of the animals and people who have come in and out of her own.

    It’s just as satisfying a read as the first. It has fewer moments of devastation, but the devastation of this one seems to hit harder when it comes. There’s also more of a feeling that there are stories that are specifically not being told as well, like restraint has been learned over the course of writing the last one and now there is more care in choosing what to tell. It’s not a bad thing by any means, it only means that I want to read more.

    Overall, it’s again one that I know I’ll need to be in a specific mood in order to read again, but I still greatly enjoyed the experience. It focuses much less on the themes of mental health this time and more on anecdotes, but it is still a great read.


  • … from a storytelling standpoint, at least.

    This is a conversation I’ve been having a lot in my writing circles: What’s the difference between writing for an indie audience and a traditional publishing audience? Because there is a reason why I ask people about their intent when they are looking at publication and there is a difference in how you write the different narratives.

    And a quick disclaimer here: I’m going to be speaking broadly. These are not absolutes, but what current trends veer towards, and there are exceptions.

    Indie books are shorter

    Indie books, in general, tend to just be shorter. The reads tend to be much quicker and get to the action much faster, making them more digestible and easy to consume. It helps to make the story more exciting and engaging, to keep people reading and wanting more. It’s also likely a result of indie authors churning out books faster and generally tending towards writing series over standalone books.

    Traditional publishing veers longer in general. I’m not entirely sure why, but I feel like it has to do with a combination of creating a physical product that feels substantial enough to justify the price and making things that match previous successes. If several successful books in a genre are a certain length, then that becomes the length that traditional publishing expects all books to be. It also likely has something to do with the next difference.

    Indie books tend to be written with a series in mind

    When writing indie books, series are not only common, but encouraged. The first reason for this is to keep people invested in you, particularly in cases where they are coming into a series that is still ongoing. It helps to keep people invested, and to follow your updates and anticipating the next book.

    The other reason is largely financial, given that many authors make most of their money on series sales. For those who have a first book for free of 99 cents, they are sometimes losing money on the first book and make it back when people check out the rest of the series.

    The common refrain for traditional publishing, on the other hand, is to write a stand alone novel with series potential. This is largely because publishers prefer to invest in a sure thing. They’ll take the first book and then, if it does well, they will then take a second. If the second does well, then they get the third.

    Indie books are targeted older

    Indie books tend to target people who can purchase their own books. This is much more evident in the young adult indies, where there tends to be a lot more harsh language and sexual content. Because the actual target audience of young adult indie books are generally in their 20s, ((And older)) when they have their own credit card.

    Traditionally published books, on the other hand, have a lot more access to actual teenagers and middle grade readers. Because of this, they are generally targeted towards actual young adults. You find the content is a lot more toned down and you can find a lot of asides in the text that seems to be there for the purpose of educating the younger audience of things that they might not be familiar with or aware of. ((Looking at you, Legendborn))

    Among the many other things to consider, what kind of stories you tend to write is another one to consider when you’re deciding whether to go traditional or indie when you publish. A story can be massaged and adjusted to fit in one market or another, but these things are important to consider when you’re making your decision.


  • The City and the City is a murder mystery that focuses on the death of a woman who was found essentially in the wrong city, and trying to figure out what happened to her. More than that, though, the story is about two cities that share the same physical space, that crosshatch in places, and that people can move between even though doing so is illegal. To acknowledge the existence of the other city is illegal and you can be taken by the mysterious Breach if you dare to acknowledge that there is something else there.

    The focus is really more about the two cities than the murder mystery. It seems very much that the murder is more used as a way to explore the way the fact that there are two of them, and how they try to insist that they are different and how little this whole setup actually works. The story gets lost at times in the exploration of how the two cities insist that they are not sharing a physical space.

    The ending was unsatisfying for me, but not entirely unexpected. Throughout the book they talk about how the setup of the universe doesn’t work for anyone but never really address it in a meaningful way, opting instead to maintain the status quo as if it goes without saying that it is the correct thing to do. When in the end that was never addressed, never questioned, never anything, I felt a bit cheated.

    Overall, it’s okay. The premise is interesting, but the story isn’t quite sure what it really cares about. It’s not one I’ll be going back to.


  • Being an author can be really tough, as most people who know authors are already aware of. On top of writing, they also have to worry about getting people to read their works and get the word out. If you’ve ever wanted to support an author or their books, but haven’t been sure how you can do that, then I have a few suggestions!

    Read the book!

    The best way to show your support is to get your hands on an author’s book and read it.

    Request the book from the library

    If it’s possible, getting the book into your local library is a great way to help authors.

    Request the book from your local book store

    Help both your authors and your local book store by purchasing it through the local shop!

    Leave a review of the book

    Whether it’s on Goodreads, Amazon, or anywhere else, letting other people know you liked the book helps!

    Recommend the book to a friend

    If you know someone who might also enjoy the book, be sure to tell them about it!

    Make fanworks of the story!

    Whether it’s fanfiction, fanart, or anything else, most authors love seeing their fans making fanworks of their books.

    Follow the author online

    Whether it’s reading their newsletter or following them on social media, following authors is a great way to show support.

    Talk about the book online

    Whether it’s discussing characters, the story, or anything else, spread the word of the books you love so more people can find them!


  • I have been putting a lot of work into getting the shop ready! Given the goals of this year are to do more creative projects, and because I am leaning towards more physical products, I’m going to need a place to put them all. And that means I have gotten a whole lot of the shop updated and I have added a few things there to get ready for everything!

    The Art of Where stuff

    As some of you are aware, I got really into making stuff through a Canadian manufacturer, Art of Where, a while ago. Ad now I have a bunch of that stuff in the shop! I’ll be adding more over the coming weeks ((Because I’m designing new stuff)), but here’s some stuff that’s currently there!

    Stickers!

    Apparently I have gotten super into making stickers of late. As I start getting more into drawing again, I’m thinking I’m going to be doing more stickers in the near future. In the meantime, here’s a few to get you started!


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