Tanya Lisle

Creative on a health break

Author: Tanya

  • Exit Plans for Teenage Freaks Review

    It’s a strange day when Cole starts teleporting between doors. He could never do it before, and now that he is he doesn’t know how to deal with it. More than that, the cutest boy in school has decided that Cole is the one who he wants to talk to now that he’s questioning his sexuality.

    The second half of that would normally make me put the book down, but there’s ace rep in this book and I wanted to give it a chance, even if it’s only in a side character. And the first half was interesting enough that I wanted to see what was going on and how they dealt with it.

    The story is interesting. It is structured a little like a paranormal romance, with the bulk of the supernatural stuff happening in the last third of the book ((No houses eating people or the ocean murdering anyone this time)) but it is interspersed decently throughout. I thought there were a few times when it could have come back into play a little sooner to make the personal drama and the supernatural stuff work a little more together and it felt less like everything happened all at once at the end. At least, introduce the concept of who the bad guys were a little earlier so they weren’t just looming mystery figures until the end, then reveal the secret society in the last couple chapters.

    With the background of the Rainbow Club, the sheer amount of representation that is in the book feels like it makes sense for the narrative. I really liked how they dealt with the different sexualities, the race stuff, the gender stuff, the disabilities in the book. Namely, they didn’t. The story was not about any of them, so they existed in the book without it stopping everything to explain what asexuality was, or enby or how you should be treating deaf people. They just existed in the story and when it was brought up, it was brought up in a way that makes sense.

    For instance, the love interest, Malik, has the exact same reaction to being ambiguously brown as I did as a kid. And I greatly appreciate it.

    The only time there’s any explaining is done in the context of the narrative. A character thinks they might like boys and girls, but is confused about the distinction about bi and pan. Which Cole doesn’t have an answer to, so he looks it up and asks about it. It makes sense in the context of the story.

    And, because I came here to see the ace character, I liked him a lot. Particularly in how it’s dealt with, namely that someone in the queer community had a problem with it which made him veer away from the community, and the bridges being repaired were done without much fanfare. The situation is more accurate to my experience, and the lack of focus on that resolution works well in the narrative because it isn’t his story. Alec’s story getting more attention than it did would have felt like a distraction to the main plot.

    I really enjoyed this book. The story of the teleporting through doors and how Cole dealt with it was interesting and Cole as a character is different than a lot of other ones I’ve been exposed to in the past. Namely, he’s not spontaneous ((He bullet journals, which is another really interesting detail to the narrative)) and has multiple hobbies, which makes him feel much more rounded as a character. It’s a bit more romance-y than I typically like, but I didn’t feel like the romance was a distraction from the main plot, and I had fun with it overall.

    Get Exit Plans for Teenage Freaks on Amazon!

  • We are the Catalyst Review

    And once again, I pick up the second book in a series without reading the first! I am very good at this. This time, however, Tash McAdams themselves recommended starting here because I am obnoxious and asked for where they wanted me to start. So any problems I might have had was all their fault.

    However, there were no problems! This is the least second book-is of any second book I’ve read. And I meant hat in a good-yet-confused sort of way. There is a lot of rich world building done in this, inclusding a storyline that absolutely feels like it’s a sweeping epic, but the story is framed very much like the first in the series. The alternating perspectives include one character that is new to the world and we see through his eyes how the universe works, which is very much a first book pattern, and a more wizened character who is more familiar with the universe and explains her parts of the universe with familiarity.

    What I’m saying is that it’s written in such a way that I have no idea what came before it. And I’m intrigued.

    As for the book itself, it was a lot of fun! In that way I describe fun. On the one side, we follow Toby, who leaves his comfy life as a rich kid in the city only to be immediately mugged as soon as he leaves, have his finger cut off, and develop incredible super powers. On the other we follow Epsilon 17, who is a child soldier with incredible powers that has to track him down while at the same time really not wanting to find him at all.

    The story follows the two of them as they both struggle with the Institute, who want to catch Toby and do… something with him. The question mark is less interesting than the chase and how the story comes together. It’s well paced, not forgetting about the human element of the post-apocalyptic world, and it ends in a wonderful showdown between just who it should be between. In my opinion, anyway.

    I have a couple small issues with the book, but nothing that detracts from the experience of reading it. The prose is very dense, and there were a couple reveals at the end that felt like they wasn’t led up to enough, but overall it was a lot of fun and I would highly recommend checking it out.

  • Pulp Literature Review

    Short stories are a weird spot for me. On the one hand, I’ve written a lot of them and I appreciate them as a form of narrative that’s a lot harder to write than most people give them credit for. On the other hand, my memories of short stories growing up are the ones I had to analyze for school and angsty fanfic one shots. I’ve always had a lot of trouble finding good genre shorts that I like and that don’t leave me severely wanting in the world building department.

    Enter Pulp Literature. It’s a local short story publication, a magazine that comes out with a regularity that I’ve yet to ask about. ((I’ve met JM Landels several times and I have yet to remember to ask how often.)) This is a science fiction, fantasy, and all those genres in between magazine that accepts and publishes short fiction, poetry and comics. ((And they have a decent pay rate. If I could write short things that actually stand alone…)) Despite the diversity, or because of it, there’s a lot of high quality content in the issues. Maybe not everything for everyone, but certainly something you can latch onto in each issue that makes it well worth it.

    There’s a very distinct feel and aesthetic to the works, despite them being all very different. They all work surprisingly well together in each issue and, between the few that I’ve read so far, I’ve managed to find more than my fair share of books that I enjoyed among the collections.

    Rather than an Amazon link this time, I’ll send you right to their site and their Patreon. Go check them out!

  • Try Everything

    Earlier this month at LitFest, there were quite a few people who wanted to know if there was any advice I could give to new authors. It came up during an interview I did with CSFJ as well. And while there’s always a lot of advice, I tend to go right back to what my old standby is.

    Try everything. Keep trying things until you find what works for you.

    There’s reams of writing advice out there, and that advice will run from writing a thousand words a day to finish the novel in a month to revise as you go. You should plot everything, plot nothing, plot only a couple things and leave the rest up in the air. You should know everything about your characters before you start or you should get to know them as you write. The advice is wildly contradictory between sources, and not even every author can agree on what the best way is to do things.

    That’s because the best way doesn’t exist. There’s only the best way for you. And figuring out what that best way for you is to try out a bunch of methods and not getting too upset if something isn’t right. Write every day and see if that’s working for you. Try powering through a first draft and see if the need to go back and revise while you write is too great. Try NaNoWriMo once to see if your brain likes it.

    It’s important to understand that there is no one right way to get your story out in the world. That’s going to mean trying a bunch of things until you get your weird routine for writing down and figure out what works for you, your life, your brain. It doesn’t matter how other people do it. You have to figure out how you do it and know that your way is the right way for you.

  • A few Looking Glass Saga quotes

    I’ve been making a bunch of quote graphics. Again. Have a few of the Looking Glass Saga ones!

  • 5 Critical Things For a Successful Book Signing Review

    As you may be aware, I’m starting to do some in person events. Going out into the world to talk to fans and have tables to sell books right to people. And let me tell you, I need help figuring some of this out. I may be good with numbers, may have that retain background, may know just how to put a story together, but being a person actually meeting people and representing something that I actually made, something I care about, is hard.

    And so Adam Dreece was kind enough to give me an advance copy of 5 Things. No lie, this book is wonderful for anyone who is representing themselves in person. It goes over a lot of elements from how to set p a display so people understand what it is you’re there to represent to how to deal with various interactions that you may encounter.

    There are two sections of particular note that I want to highlight as extremely useful: The section on finances and the section on the types of people who you will meet with.

    I already have a pretty good handle on my finances when it comes to these things, but it’s very useful for those who are not fully aware of their costs in doing events like this, but I know a lot of people who don’t really understand the costs of them. How to manage your budget is very important for you as a business and the breakdown is done in a very approachable way.

    As for the people, this was particularly beneficial for me. There’s not only a list of different types of people and names given to them, but also a rough guide of how to interact with different types of people, from positive interactions to negative ones. Just having this list and suggestions helped alleviate a lot of the anxiety around doing in person events.

    It’s just come out and I highly recommend it. It’s a great read if you’re just starting out, up to if you’ve been doing this for a while.

  • Looking Glass Saga Origins

    I feel like I’ve written this post before, but I can’t seem to find it so here we go! I’ve been asked quite a few times about the origins of Return to Wonderland and The Looking Glass Saga as a whole, so it’s time to get it all down.

    It started back in 2009 when Disney bout Marvel. It seems like a long time ago and arguably a good thing, but I was in comics back then ((Reviewed them on Youtube! And I worked at a comic shop!)) and I got to see the fallout that happened among the fanbase. People were pissed about the move, insisting that they were going to put Mickey Mouse ears on Wolverine and Disney-fy everything that they possibly could. It was considered a terrible move by a very large number of people and they thought the content would be sanitized to the point where it would be unrecognizable.

    And I got really sick of listening to these people. Somehow in the annoyance of it all, I started getting an idea to turn things the other way and superimpose the Marvel Universe over Disney properties. I had a decent understanding of some franchises and a less good grasp of others, but ultimately there were a lot of weird parallels and crossovers created.

    One of those was my Dr. Strange-inspired Alice in Wonderland. Here’s the thing to note about that. I am not that familiar with either Dr. Strange or the Alice in Wonderland Disney movie. I don’t think I’ve actually seen it. I read the book and absorbed the movie more or less through cultural osmosis. But I decided to do this mashup and do a take on it anyway.

    Essentially, Wonderland turned into a parallel to that other dimension that Dr. Strange is in charge of and she was the protector of all that madness. It was a neat idea and I moved on to do all the princesses and mash them up with franchises I was more familiar with.

    But the idea of that Alice story stuck with me and in the back of my head I kept revising it. It morphed and changed and I really liked the concept, but I didn’t have a fully formed story to put it to at the time. I had ideas, so many ideas, and nothing to do with them.

    And then NaNoWriMo happened. I’ve told the particular story of that incident, but that was the last straw to getting the story written and put together. For me, at the time, a lot of figuring out what the tory was going to be happened by actually writing it and seeing if I liked where it was going, then turning it into a thing as I went along. And for Alice’s story, I ended up really liking some of it and wanting to continue it. I borrowed the Harry Potter structure and started laying in the groundwork for the longer series and I’ve been working on it ever since!

    It’s been a weird trip. And now that I’ve got the first draft of the final book of the series done and it’s feeling like it’s getting close to done, I’m reminiscing more and more on how it started. It’s not very much like that initial origin, but there are glimmers still there and it’s fantastic to see.

  • Urban Heroes Review

    I picked up Urban Heroes back at Creative Ink, but I heard TJ Lockwood reading from the book back at VCon. Side note, if you ever get the chance it’s worth going to see her read. I think she’s doing that more often now, and I came in knowing just as much as the first chapter reveals about the book. Which is to say not a whole lot, but I was interested.

    The story follows a woman named Cal as she navigates a world where humans and androids are not so peacefully coexisting so much as humans are distrustful of androids after an incident. Complicating the ethics of the matter is the fact that humans are often cybernetic ally enhanced to the point where the lines between the two are conceivably blurred. After rescuing a young girl, she and her partner, Axton, are on the run from the life Cal once had. You don’t really get the details of why they’re running for a while.

    The book does feel in large part like it is a middle book, which apparently it is. The girl they rescue doesn’t play a very large part in this story, but there’s hints dropped that there’s something special about her. Cal’s father is only mentioned and never shown. Her friend, Bree, mentions that she has allies but we only really see one of them. This whole story seems to be setting up Cal on a path to redemption and this book focuses largely on the narrative of  that first step.

    I particularly liked her usage of Canada, which is a weird thing to latch onto. The city names are used in the same way I’ve seen American cities used in other media, with the expectation that the names mean something and are enough to orient you. It feels natural and uses Canada in the way I wish it would be used in more media. As a Canadian, it just makes me happy.

    Overall, I really enjoyed the story. The world and the way it unfolded throughout the narrative was interesting,  and the story kept me engaged. I could sympathize with Cal’s choices ((Though I disagree with a couple personally)) and I liked the dilemmas that it came up. The sci fi is much more urban, and the focus stays very much on the characters, which I’m a fan of. If you like the sound of any of that, definitely check it out.

    Get it on Amazon!

  • First Draft Zombies

    Spoiler

    This is actually a post I made several years ago on a site that no longer exists, but still useful. Enjoy!

    [collapse]

    When writing the first draft of anything, I’d suggest never looking back. It’s hard for some people to do, I know. You want it to be perfect the first time, but first drafts are rarely ever masterpieces and they will almost always need heavy editing. You could spend hours making it perfect the first time, or you could have fun with it the first time.

    I like to write now and edit later, as I now realize that my first drafts will usually suck. Let it come out as it comes out and don’t worry too much about editing. If you can help it, don’t edit at all, leave it raw and then you can go back afterwards and fix everything if the story is worth it.

    Like zombies.

    Think of your story like a city infested with zombies out for your brains. The more you write, the closer you get to the chopper to get out of there. Unfortunately, these are running zombies and they’re always right behind you. Don’t look back, just keep writing/running until you get to the end/chopper. You can make it! YOU CAN DO IT!

    Then you’re at the chopper. Now you can look back at your story infested by zombies. There’s grammar and spelling mistakes, plot holes and character inconsistencies. That’s fine. It’s what the first draft is for. You are safe now, it’s done. Take a breath, get back to society and remember what it’s like to be around normal people.

    Then, when you’re very ready, go back to the zombies. And bring ammunition. Take your bombs/red pen and tear the whole thing apart. Keep going until it’s all good and inhabitable again.

    Although by this metaphor, it follows that your mistakes create zombies. I guess the metaphor still works.

    Run like hell, leaving zombies in your wake and make it to the chopper at the end. Look back and risk getting eaten by the zombies with no hope of ever reaching the chopper. Sure, you can turn back and kill a couple that are breathing on your neck, but don’t fight the whole army. Once you reach the chopper, recuperate some and come back with the big guns and bombs that will kill them all.

    Why yes, I am still looking for my notebook.

  • Maddie Hatter and the Deadly Diamond Review

    So first and foremost, Maddie Hatter and the Deadly Diamond is not at all an Alice in Wonderland story. That’s what I was expecting, some sort of steampunk reimagining of the classic following along with maybe the Mad Hatter’s daughter. So before we get too far into it, this is not that.

    What we have instead is a murder mystery where we follow intrepid reporter and steam lord’s daughter in hiding Maddie Hatter as she tried to solve the case so that she can finally earn her byline and escape the world of fashionista reporting. A mysterious mask has been uncovered and stolen, the dead man washing up on shore and what follows is intrigue as Maddie tried to get into as many places as she’s not supposed to in order to figure out what’s happening and report the story back to London while not being recognized by the upper crust of society.

    One of the things that I had trouble adjusting to in this book was the language. There’s a certain flavour to steampunk that always takes me a little longer to adjust to. I don’t know why I wasn’t expecting it, but it surprised me nonetheless and it took me a fair few chapters before I properly fell into the rhythm of the story to start trying to pick out the clues along with our heroine.

    Maddie is a lot of fun to follow through her journey. She’s witty and insightful, quick and eager to try new things. She had an interesting perspective on the world she is living in and watching her try to puzzle together the pieces of the mystery’s been great.

    I did like this story, though it wasn’t what I was expecting. I think a younger audience would likely enjoy it a lot more. There’s a lot of great stuff in here, from the touches of world building throughout to the mystery itself. You feel for the character and there’s a good story underneath it all.

    Get it on Amazon!